Saturday, November 5, 2022

What is the Sloane Manuscript?

What is the Sloane Manuscript?

If you are a Christmas carol fanatic as I am, you have probably come across the name “The Sloane Manuscript” more than once in your Christmas carol loving.

You have probably wondered what this Sloane Manuscript is. The history of this manuscript, or manuscripts more appropriately, go back a long way. Their history includes being part of the founding of the British Museum, a profit of slavery, and a glimpse of Christmas long ago.

Who was Sloan?

Hans Sloane was an Anglo-Irish physician who served as physician to the governor of Jamaica during the late 1600s. Sloan was also a naturalist, an avid collector, and benefactor to the British Museum, the British Library, and the Natural History Museum. 

There is substantial information on Sloane online, including his entry on Wikipedia. When he died, he bequeathed his substantial collections to the above-mentioned entities.

Sloane had married an heiress who made Sloan very rich. It should be said that his wife was heiress to a sugar plantation in Jamaica, which of course profited from slavery, which in turn financed his collecting.[1]

It is said that Sloane collected over 70,000 objects including books, coins, drawings, and manuscripts. When he died, he left many of these items to the entities mentioned above, although it was not a free bequest. The bequest offered that his collection to the state to be bought a reduced price. 

Eventually, an act of Parliament was passed to purchase the collection from Sloane’s executors although the payment was far less than the collection’s value.[2]

The Manuscript

Speaking of the manuscript that has to do with Christmas, when one says the Sloane Manuscript, one should really be saying the Sloane Manuscripts. When speaking of an individual one, one should say “manuscript.” The “manuscripts include thousands of archaic manuscripts on medicine, recipes, almanacs, and much more."[3]

Christmas

Sloane Manuscript 2593 is the one Christmas carol fanatics have interest. Held by the British Library, it is dated about 1400. This would be during the reign of King Henry IV (yes the same one with insomnia and finds his head heavy when he wears the crown).  

The manuscript contains the text of some carols, three of them Christmas carols. However, the carols have no music. They include “I syng of a mayden," "Adam lay i-bowndyn," "Lullay, myn lykyng," and in addition, "Benedicamus Domino" and "A Babe is born al of a may." The carols/poems are anonymous.[4]

Manuscript 2593 is described as A collection of 14th and 15th century English poetry, including Christmas and other carols, without music.

In my readings of many Christmas carol historians, they mentioned the above-mentioned carols being “rediscovered” but never tell us when this rediscovery took place. Was it a discovery period or was a specific date? Was it after 1753 when Sloan died?

Getting direct access to Sloane Manuscript 2593 may have been difficult even then, and today needs a letter of introduction.

Was the rediscovery in 1836, when Thomas Wright published Songs and carols from a manuscript in the British Museum of the fifteenth century? (available online).[5]

From what I can gather from the editors of the New Oxford Book of Carols, it was the twentieth century composers that started this revival of going back to medieval text, especially those carols whose music had been lost.

Maybe the rediscovery was in the first two decades of the twentieth century. We know "Lullay, mine liking" and “Adam lay i-bowndyn” were included by Edith Rickert in her Ancient English Christmas Carols: 1400-1700 (1914). 

"Lullay, mine liking" and "I syng of a maiden” were included in Richard Runciman Terry’s Twelve Christmas Carols (1914).

Holst’s “Lullay My Liking” (sic.) was published in 1916. Peter Warlock published his version of “Benedicamus Domino” in 1918, his version of “Adam lay ybounden” (sic.) in 1922, and his “I saw a fair maiden” (“Lullay, my liking”)[6] in 1927.

"Lullay, mine liking" (Gustav Holst, Edgar Pettman, and R.R. Terry)(“I saw a maiden”)(“Myn Lyking”) and “Adam lay iboundden”(sic.)(Boris Ord) are include in the New Oxford Book of Carols (1992). 

Holst’s “Lullay My Liking” was included in the original Oxford Book of Carols (1927). “I sing of a maiden” (Martin Shaw) and “Adam lay ybounden” (Warlock) were also included in the original Oxford Book of Carols. The Oxford Book of Carols (1927) also has an entry for “Lullay, my liking” (Holst). The editors of both Oxford publications exclude “I sing of a maiden,” maybe for being too Marian of a carol. The original Oxford editors refer to it as “This famous little classic…”[7]

  



[1] https://www.bl.uk/collection-guides/sloane-manuscripts. British Library. Accessed October 9, 2022.

[2] Ibid.

[3] Ibid.

[4] I maintained the spelling of the carols as spelled either in carol collections or the spelling used by the composer when his music for the carol was published.

 

[5] Thomas Wright, Songs and carols from a manuscript in the British Museum of the fifteenth century, (London: T. Richards, 1856), 46-47, 79-80, 94-95.

[6] “Lullay, my liking” is often titled by modern composers, “I saw a maiden,” or "I saw a fair maiden” after the first verse of the carol.

[7] See notations Dreamer, Percy; Williams, Ralph Vaughn. The Oxford Book of Carols, Oxford University Press, 1928, 183.

Sunday, January 9, 2022

The Seraphim & Cherubim Chorus Releases Album with Christmas and Winter Gems



The Seraphim & Cherubim Chorus Releases Album with Christmas and Winter Gems

A follow up to 2020's Christmas on Records, the Seraphim & Cherubin Chorus has released a new album. Tracks include: "Shout for Joy," "The Little Drummer Boy," "Gaudete," "Lully, Lulla, Lullay," "River," "Christmas Waltz," "God Only Knows," "Jingle Bell Fantasy," and "The Heaven's Are Telling."

For more information and purchase, see the chorus' shop.


Disclaimer: Regarding, the heading photo used above, we do not know who is the owner of this photo, and infringement is not intended, it is used for educational purposes only. We will gladly oblige any take down under the Digital Millennium Copyright  Act (DMCA). Photos are used under the allowance made for "fair use" under Section 107 of the Copyright Act of 1976 for the purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. We will obliged any takedown request of any photo on this blog in compliance with the DMCA.


Monday, December 27, 2021

Boston Camerata releases Christmas in the Middle Ages Album


The Boston Camerata Releases Christmas in the Middle Ages Album

Label Description:

Drawing on a wide variety of sources, mingling liturgical Latin with French, English, Italian and Iberian vernaculars, these magnificent songs, hymns and processionals show the multitude of ways in which the birth of Christ was celebrated in medieval times. The trio of female singers is accompanied by harp, fiddle, bells and wind instruments: together they touchingly evoke all the tenderness, hope and joy of medieval Christmas songs.


Disclaimer: Regarding, the heading photo used above, we do not know who is the owner of this photo, and infringement is not intended, it is used for educational purposes only. We will gladly oblige any take down under the Digital Millennium Copyright  Act (DMCA). Photos are used under the allowance made for "fair use" under Section 107 of the Copyright Act of 1976 for the purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. We will obliged any takedown request of any photo on this blog in compliance with the DMCA


Saturday, December 25, 2021

You can Listen to Christmas Carols Tomorrow



You can Listen to Christmas Carols Tomorrow

A good essay by Jim McDormott on Christmas carols. He says:

"I learned of a horrifying tradition around Christmas carols. Some of you out there are apparently living under the terrible burden of believing that Christmas carols are only meant to be listened to until Christmas Day."

Read more:

https://www.americamagazine.org/faith/2021/12/23/christmas-carols-when-listen-242115


Disclaimer: Regarding, the heading photo used above, we do not know who is the owner of this photo, and infringement is not intended, it is used for educational purposes only. We will gladly oblige any take down under the Digital Millennium Copyright  Act (DMCA). Photos are used under the allowance made for "fair use" under Section 107 of the Copyright Act of 1976 for the purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. We will obliged any takedown request of any photo on this blog in compliance with the DMCA

Essay on "O Holy Night"

 Essay on "O Holy Night"


Check out this great radio essay on "O Holy Night" on BBC Radio 4:

https://www.bbc.co.uk/sounds/play/b09jdxzf

Friday, December 24, 2021

The Christmas Music of Sarah MacDonald


The Christmas Music of Sarah MacDonald

by R. Rojas

While we are still working on a post on Elizabeth Poston, we decided to focus on a 21st Century composer and choir director, and that is Sarah MacDonald (b. 1968).

MacDonald is a Canadian–born organist, conductor, and composer living in the UK. She currently is at Selwyn College, Cambridge as Fellow and Director of Music and is also the director of the girl choristers at Ely Cathedral.

MacDonald has been at Selwyn College more than 20 years, starting in 1999 and is the first woman to be in that post. In 2018, she received the award of Associate of the Royal School of Church Music (ARSCM).  A more in-depth biography can be found on Wikipedia and at her website.

Her most recent recordings with Chapel Choir of Selwyn College, Cambridge was 2020’s Choral Music by Paul Ayres off Regent Records and the Christmas album Christmas Music by Ben Parry (2019) which also included the Ely Cathedral Girls' Choir.

Previous Christmas recordings include:

  • An Ely Christmas with the Girl Choristers and Layclerks of Ely Cathedral Choir (Regent 2018)
  • Christmas from Selwyn ( Refent 2017) Choral music for Advent and Christmas by Alan Bullard (Regent 2015)
  • Sing reign of fair maid: Music for Christmas and the New Year (Ely Cathedral Girls’ Choir)(Regent 2008)
  • The Moon of Wintertime: Carols from around the world (Chapel Choir of Selwyn College, Cambridge)( URM Audio 2005)

MacDonald has an arraignment for upper voices and organ of "The Cherry Tree Carol" (2015) (Encore Publications):


Advent Responsories I (SSAATTBB) Encore Publications



Advent Responsories II (SA + Unison Lower Voices)

RSCM 

Hear selection: https://www.rscmshop.com/media/1834/01-advent-responsory-macdonald.mp3

"The Holy and the Ivy" (2016) arrangement for upper voices and organ (Encore Publications):



"Huron Carol" arrangement for mixed voices (RSCM):


"Tomorrow Shall be My Dancing Day" arrangement for ATB voices (Chichester Music Press):


"O Holy Night" (Adolph Adam) (SS + organ) Selah Publishing:


The Angel Gabriel from heaven came (traditional) (SATB with divisi) Selah Publishing:


Arise, shine! (SATB with divisi) Encore Publications. Selection can be seen in this Selwyn College Chapel: Readings and carols for the First Sunday of Advent:




"The Infant King," (traditional) (SA + Unison Lower Voices) RSCM :

Listen to audio Link: The Infant King


"The Manger Empty," SSAATTBB) Banks Music, with words by R. S. Thomas:


O come Emmanuel (traditional) (SSAATTBB)Encore Publications:


MacDonald does have a Christmas song called "Bethlehem Star" (SATB with organ), but I could not find a video for it. At her website, McDonald provides a link to Sacred Music by Women Composers, Vol. 3 that has this song in it. MacDonald also has a version of "Do You Hear What I Hear (SSAATTBB) forthcoming in 2022. She has a 2019 score of "Guadete" which can be found on Encore Publications. She has much more scared music that can be found at her website, and she also has a setting of Magnificat:


More can be found on Sarah MacDonald at her website and Wikipedia.


Jan. 31, 2021 Correction: Our apologies to the composer. We corrected the spelling of the composer's last name.


Disclaimer: Regarding, the heading photo used above, we do not know who is the owner of this photo, and infringement is not intended, it is used for educational purposes only. We will gladly oblige any take down under the Digital Millennium Copyright  Act (DMCA). Photos are used under the allowance made for "fair use" under Section 107 of the Copyright Act of 1976 for the purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. We will obliged any takedown request of any photo on this blog in compliance with the DMCA





Surprising Origins of Christmas Carols

Check out Rosie Pentreath's article on ClassicFM about the origins of Christmas carols:

https://www.classicfm.com/discover-music/occasions/christmas/carol-history-origins/