Showing posts with label Hyperion. Show all posts
Showing posts with label Hyperion. Show all posts

Monday, November 6, 2023

The Gesualdo Six Releases "Morning Star" on Hyperion

 



The Gesualdo Six Releases "Morning Star" on Hyperion

Description from ensemble's website.

"Step into an enchanting sequence of festive works for the season of Epiphany. Amidst the cold and frosty nights, composers capture a sense of anticipation at what the new year may bring. This album weaves together beloved seasonal carols spanning across centuries and bringing warmth to the winter’s embrace.

Traditionally in the UK, the days preceding Twelfth Night have an air of post-Christmas lull. It’s a sleepy time, as we look expectantly to the promise of a new year. Days are cold and short, glistening with frost and punctuated by long, dark nights.

But then there is ‘Little Christmas’—Epiphany, which comes from the Greek ‘epiphaneia’, meaning ‘appearance’, and which is one of the three principal and oldest festival days of the Christian Church. The revelation of Jesus Christ to the world, the visit of the Magi, the baptism of Jesus and the wedding at Cana are all celebrated at this time. Following an old tradition, those who forget to take down their Christmas trees on Epiphany eve must leave them untouched until Candlemas: it is this period which forms the musical timeline for much of this album.

There is no shortage of wonderful repertoire to explore at this time of year. Full of hope and joy, much of it alluding to the ‘morning star’, it offers a promise of renewal and rebirth. These works remind us to celebrate the gifts we have received, and to wonder at the mystical alchemy described in the Epiphany story. On this album we weave a tapestry of well-known seasonal carols together with Renaissance gems and highlights from the twenty-first century. We hope that the music contained here reflects the joy we had performing it, as we return to the chapel at Trinity College in Cambridge, where we made our first festive album a few years ago." Owain Park © 2023


The Three Kings  Peter Cornelius 

INTROIT: Ecce advenit dominator  Plainchant

Maria wallt zum Heiligtum  Johannes Eccard

Ecce advenit Dominator Dominus  William Byrd

GRADUAL: Omnes de Saba venient  Plainchant

In Winter’s House  Joanna Marsh

Mirabile mysterium  Jacob Handl

Here is the little door  Herbert Howells

ALLELUIA: Vidimus stellam  Plainchant

Magi veniunt ab oriente  C. non Papa

Morning Star  Arvo Pärt 

There is no rose  Adrian Peacock

OFFERTORY: Reges Tharsis  Plainchant

Tribus miraculis  Lassus

Oh, send out thy light  Owain Park

COMMUNION: Vidimus stellam  Plainchant

In Mary’s Love  Judith Bingham

Illuminare Jerusalem  Manchicourt

Bethlehem of noblest cities  Trad. arr. Park


Hyperion


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Sunday, October 2, 2016

Yulefest: Mix of Old and New, Choir of Trinity College Is A Must for your Chirstmas Music Collection





 Yulefest!: Mix of Old and New, Choir of Trinity College Is Must for your Christmas Music Collection

by Ray Rojas

The last carol recording from the Choir of Trinity College, Cambridge I bought was “Carols from Trinity.” The version of I have was a two-disc set of carols probably a mix of recordings from the two previous “Carols from Trinity” (1990, 1993 and 1997 on  Conifer) and “A Child is Born” 1993 Classics.

So hearing Yulefest!, the choir’s newest Christmas recording, it was quite a change in terms of maintaining a traditional carol repertory. However, this recording ventures into the world of American Christmas songs from the World War II and post-War era maintaining at the same time excelling in the traditional carols.


This time, under the direction of Stephen Layton, the choirs takes us in to the cold winter full of waiting, joy, home longing, and memory. This will be Layton’s second Christmas recording with Trinity, the first being Bach’s Christmas Oratorio, also on Hyperion.


What’s special about this recording is that while maintaining the tradition, it does the contemporary, some in admittedly Swingle Singer’s style. Although I say contemporary, “Jingle Bells” was written in the 1900s, but even this song qualifies it, with a wink of eye, as a carol. This arraignment by Ben Parry is original and well performed here. This arraignment was in fact, written for the Swingle Singers, here expanded for full choir. Another Swingle connection is seen in “Silent Night,” in which an arrangement is of Jonathan Rathbone, a former Swingle Singer.  Rathbone gives the almost 200-year old carol to mix of 20th Century and tradition.


Although commonly associated with the 20th Century, “Jingle Bells” was actually written in the 19th Century as a Thanksgiving song. The version on this album is by Ben Parry, originally written for The Swingle Singers.


Ted Trader, who writes the liner notes, says that Trinity’s performance of “In the Bleak Midwinter” by Gustav Holst, is given an “American a capella feel” with an an arrangement by Ola Gjeilo. Old World or New, the arrangement is simply beautiful bringing the dark cold of winter to life.


As mentioned before, there are several 20th Century pop pieces including Mel Torme’s “Christmas Song” and “White Christmas.” Torme’s classic is arranged by Peter Gritton and “White Christmas” by Jeremy Davies. Also 20th Century, John Rutter’s nostalgia piece “The Very Best Time of the Year” sets the Christmas mood for family gatherings and Christmas dinner. The arrangement is by Owen Park. Park’s original composition of “Shepard’s Cradle Song” admittedly pays tribute to Rutter’s style with solos by Helen Charlston (mezzo-soprano) and Faith Waddell (soprano).


Park also lends an arrangement of “Have yourself a merry Little Christmas,” a song originally from the musical “Meet Me in St. Louis.” This is a classic American Christmas songs that Trinity shows can be turned into choral showstoppers without the cheese that other pop Christmas classics usually receive when arranged for choir. I first heard Park’s arrangement of “Tomorrow shall be my Dancing Day” in the choir’s Advent Carol Service in 2013 via live feed from Cambridge. It has since gained a popular following and is now performed and heard in many Advent and Carol services.



The now widely performed Advent tune, “E’en so, Lord Jesus, quickly come” performed here by Trinity, shows why this modern carols has gain such a following. The longing for the Lord’s coming can still be felt. Released by American composer Pau Menz in 1953, the years have not tarnished the beauty of this motet and Trinity excels in its performances, makes us forget that the text is from the sometimes depressing Book of Revelations. Paul Menz wife, Ruth Mentz wrote the lyrics when their son was critically ill.


Another American composer, James Bassi, has his “Quem pastores laudavere” performed.
Taking us back to the time of Michael Praetorius (1571-1621), Trinity performs Erling Penderson’s arrangement of “Es ist ein Ros' entsprungen  A great and mighty wonder”
Orla Gello has Scanenavian roots, but his is not the only one on this recording. Trinity takes us to Sweden for “The virgin and child” based on a Swedish folk song, here arranged by Gunnar Eriksson (Note 1).  There is also Swedish carol Ave maris stella. Two more Swedish songs are included. They are “The Star” by Harald Sventelius (1902-1996), arr. Hans-Ola Ericsson (b1958) and “Peace, peace” by Gustaf Nordqvist (1886-1949). “Peace, Peace” was composed by  Gustaf Nordqvist (1886-1949) which is another exploration of a Swedish song, sung in English. Nordqvist if most famous for writing to music for the Swedish carol “Jul, jul, strålande jul.” The arrangement is by Hans-Ola Erickson. In “The Star,” the solos are sung eloquently by sopranos Anna Cavaliero and Julie St. Clair. In “The Star,” you can hear the song ascend through the cathedral.
                                                                                               
An arrangement by Reginald Jacques of “Away in a Manger” is based on a French folk song. “How are is Bethlehem,” by Bertie Rice is a close-harmony piece.
Most peculiar is “Peace, Peace” by  Gustaf Nordqvist (1886-1949) which is another exploration of a Swedish song, sung in English. The arrangement is by Hans-Ola Eickson and solos are sung by sopranos Anna Cavaliero and Julie St. Clair.


“O Heavenly Word,” arranged here by Michael Bojesen, is a Danish folk song said to be very popular in Denmark.  The last carol is “The Oxen” by Jonathan Rathbone. The words are taken from Thomas Hardy.


Would I play this on Christmas Eve for the family?: Most definitely. 


Trinity's Christmas CD should be in every Christmas music collection.

Note 1    According to the Bach Cantata Website, Eriksson: Gunnar Eriksson teaches choir and ensemble conducting at the State College of Music and the State Opera College at the University of Göteborg, in Sweden’s second-largest city. He founded and directs the Rilke Ensemble, a twelve-voice mixed ensemble named “Choir of the Year” in 2004 by the Swedish Choral Centre. Gunnar Eriksson is also the leader of the Göteborg Chamber Choir, which has existed for over 25 years and has recorded some 20 albums and made several tours around the world. He spends most of his spare time traveling around the world conducting and teaching choirs and their leaders.
http://www.bach-cantatas.com/Lib/Eriksson-Gunnar.htm

Tracks:
Jingle bells
Silent night
In the bleak mid-winder
White Christmas
The very best time of the year
Shepherd’s cradle song
The Christmas Song
A great and mighty wonder
Have yourself a merry little Christmas
E’en so, Lord Jesus, quickly come
Quem pastores laudevere
Tomorrow shall be my dancing day
The virgin and child
Away in a Manger
Ave maris stella
How far is Bethlehem?
The star
Peace, Peace
Sleigh ride
O heavenly word
The oxen

 

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