Tuesday, November 8, 2022

Tenebrae tackles Britten, Joanna Marsh, Bob Chilcott, Ben Parry and More in New Christmas Album

 

Tenebrae tackles Britten, Joanna Marsh, Bob Chilcott, Ben Parry and More in New Christmas Album

Signum Classics description:

Tenebrae’s fourth Christmas album features a wide range of festive music, including Britten’s iconic Ceremony of Carols for upper voices and harp. The album takes its name from a wonderfully atmospheric piece by Joanna Marsh, commissioned for Tenebrae’s tenors and basses in 2019.

https://www.tenebrae-choir.com/recordings/in-winters-house


Disclaimer: Regarding the photos used above, we do not know who the owner of this photo is, and infringement is not intended, it is used for educational purposes only. We will gladly oblige any take down under the Digital Millennium Copyright Act (DMCA). Photos are used under the allowance made for "fair use" under Section 107 of the Copyright Act of 1976 for the purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. We will oblige any takedown request of any photo on this blog in compliance with the DMCA.


Monday, November 7, 2022

Felipe Dominguez on Organ at Sono Luminus Studio for a Baroque Christmas


 

Felipe Dominguez issues Recording of Baroque Christmas Organ


From the pipe organ at the Sono Luminus studio in Boyce, Virginia, we are pleased to present a fine selection of baroque organ music for the Christmas season. Felipe Dominguez (b. 1983) is a Chilean/American organist, harpsichordist, clavichordist and musicologist. A graduate of Brigham Young University (B.M. 2010, M.M. 2012), he studied organ and harpsichord with Douglas Bush and Don Cook. He has pursued further postgraduate organ instruction in Europe with Edoardo Belotti, Hans Davidsson, Harald Vogel, and Leon Berben. Mr. Dominguez has performed as a soloist and in ensembles in Chile, Argentina, the United States and Europe.

Label: Sono Luminus


Disclaimer: Regarding the photos used above, we do not know who the owner of this photo is, and infringement is not intended, it is used for educational purposes only. We will gladly oblige any take down under the Digital Millennium Copyright Act (DMCA). Photos are used under the allowance made for "fair use" under Section 107 of the Copyright Act of 1976 for the purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. We will oblige any takedown request of any photo on this blog in compliance with the DMCA.


Sunday, November 6, 2022

The Carols and Christmas Music of Howard Cable

 

Photo from Violinchannel.com. See disclaimer below.

The Carols and Christmas Music of Howard Cable

Howard Cable (b. 1920) was a Canadian composer, arranger, conductor, and musical director whose career took him into the realms of television and radio. His most famous association was with the super brass band Canadian Brass.

The Wikipedia entry on Cable contains his biography so we won’t recycle it here. One can also see a good deal of information on the Howard Cable blog. 

Nevertheless, we’ll get into some of the Christmas music we have found on YouTube. As already hinted in the above-mentioned of Canadian Brass, a lot of Cable's work is for brass ensembles, but anyone who has a Canadian Brass Christmas album will find choral additions to brass arraignments. 

"The Holly and the Ivy"


"Ding Dong Merrily on High" with the Kelowna Spectrum Singers:


"Ding Dong Merrily on High" with brass


"A Canadian Brass Christmas" seems to be a potpourri of Cable arraignment, this one where for high school ensembles:


Here's another version:



"The 12 Days of Christmas" also Sylvain Lapointe & Enrico Dastous:


"The First Noel" performed by Canadian Brass:


"Jingle Bells" performed by Canadian Brass:

Ebor Singers Compile American Composer Christmas Album

 

Ebor Singers Compile American Composer Christmas Album
 
Resonus Classic Description:
 
The Ebor Singers, with director Paul Gameson, returns to the Resonus Classics label with an album of American Christmas music. 
 
The contemporary American Christmas choral tradition is a remarkable confluence of stylistic confluences, sacred and secular, which reflect the country's cultural vibrancy more so than other times of year. 
 
Featuring works from composers including Morten Lauridsen, Eric Whitacre, Stephen Paulus, Susan LaBarr, Abbie Betinis, Timothy C. Takach, Jake Runestad, Matthew Culloton, René Clausen, Alfred Burt, Dan Forrest and Melinda Dunphy, the ensemble is joined by harpist Rachel Dent and oboist Jane Wright.


Disclaimer: Regarding the photos used above, we do not know who the owner of this photo is, and infringement is not intended, it is used for educational purposes only. We will gladly oblige any take down under the Digital Millennium Copyright Act (DMCA). Photos are used under the allowance made for "fair use" under Section 107 of the Copyright Act of 1976 for the purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. We will oblige any takedown request of any photo on this blog in compliance with the DMCA.

Tabernacle Choir at Temple Square Releases New Christmas Album

 

TABERNACLE CHOIR AT TEMPLE SQUARE RELEASES CHRISTMAS ALBUM FEATURING MEGAN HILTY AND NEAL MCDONOUGH

The Tabernacle Choir and Orchestra at Temple Square join with Tony Award-nominated singer Megan Hilty and award-winning actor Neal McDonough for O Holy Night, a moving and inspirational Christmas special. Filmed in front of a live audience at the Conference Center in Salt Lake City, the program features beloved Christmas songs and carols infused with a Celtic flavor reflecting the guest artists' shared Irish heritage. This program captures the true meaning of Christmas in a way you'll want to experience again and again.


Disclaimer: Regarding the photos used above, we do not know who the owner of this photo is, and infringement is not intended, it is used for educational purposes only. We will gladly oblige any take down under the Digital Millennium Copyright Act (DMCA). Photos are used under the allowance made for "fair use" under Section 107 of the Copyright Act of 1976 for the purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. We will oblige any takedown request of any photo on this blog in compliance with the DMCA.


Saturday, November 5, 2022

Working List of 1980s Classical Christmas Recordings


 

Working List of 1980s Classical Christmas Recordings


 
Sony Legacy


 

Of the many accounts of Britten's Ceremony of Carols in the catalog, this one is the best. This was the first work Britten wrote for boys' voices, and with his keen ear and extraordinary imagination, he achieved many wondrous and memorable effects. 

At the heart of this 1986 performance are the boys of the Westminster Cathedral Choir, obviously a well-trained group. With their outstanding intonation and hearty sound, these London boys outclass all the competition.

 Their singing is free and expressive, yet very disciplined, even in the triple canon of "This Little Babe," which has a way of bringing all but the most skillful groups to grief. 

The playing of harpist Sioned Williams is especially accomplished--she delivers a superb realization of the solo interlude based on "O Come, O Come, Emmanuel"--and David Hill's direction is right on the mark. The recording, made in Westminster Cathedral, is spacious and extremely appealing, right down to the comings-and-goings of the procession and recession, both of which work beautifully. A fine sampling of Britten's other choral music, including the beautiful Missa Brevis in D, rounds out the disc. --Ted Libbey

 Label Hyperion

 
 
 
Accompanied by the London Philharmonic Orchestra, under the direction of Founder, Dr. C. Harry Causey, this collection features outstanding arrangements of seasonal favorites in a variety of styles. One title on this recording ("Such a Small King") has been featured annually as a favorite of radio stations throughout the Washington, DC, area.
 
 

What is the Sloane Manuscript?

What is the Sloane Manuscript?

If you are a Christmas carol fanatic as I am, you have probably come across the name “The Sloane Manuscript” more than once in your Christmas carol loving.

You have probably wondered what this Sloane Manuscript is. The history of this manuscript, or manuscripts more appropriately, go back a long way. Their history includes being part of the founding of the British Museum, a profit of slavery, and a glimpse of Christmas long ago.

Who was Sloan?

Hans Sloane was an Anglo-Irish physician who served as physician to the governor of Jamaica during the late 1600s. Sloan was also a naturalist, an avid collector, and benefactor to the British Museum, the British Library, and the Natural History Museum. 

There is substantial information on Sloane online, including his entry on Wikipedia. When he died, he bequeathed his substantial collections to the above-mentioned entities.

Sloane had married an heiress who made Sloan very rich. It should be said that his wife was heiress to a sugar plantation in Jamaica, which of course profited from slavery, which in turn financed his collecting.[1]

It is said that Sloane collected over 70,000 objects including books, coins, drawings, and manuscripts. When he died, he left many of these items to the entities mentioned above, although it was not a free bequest. The bequest offered that his collection to the state to be bought a reduced price. 

Eventually, an act of Parliament was passed to purchase the collection from Sloane’s executors although the payment was far less than the collection’s value.[2]

The Manuscript

Speaking of the manuscript that has to do with Christmas, when one says the Sloane Manuscript, one should really be saying the Sloane Manuscripts. When speaking of an individual one, one should say “manuscript.” The “manuscripts include thousands of archaic manuscripts on medicine, recipes, almanacs, and much more."[3]

Christmas

Sloane Manuscript 2593 is the one Christmas carol fanatics have interest. Held by the British Library, it is dated about 1400. This would be during the reign of King Henry IV (yes the same one with insomnia and finds his head heavy when he wears the crown).  

The manuscript contains the text of some carols, three of them Christmas carols. However, the carols have no music. They include “I syng of a mayden," "Adam lay i-bowndyn," "Lullay, myn lykyng," and in addition, "Benedicamus Domino" and "A Babe is born al of a may." The carols/poems are anonymous.[4]

Manuscript 2593 is described as A collection of 14th and 15th century English poetry, including Christmas and other carols, without music.

In my readings of many Christmas carol historians, they mentioned the above-mentioned carols being “rediscovered” but never tell us when this rediscovery took place. Was it a discovery period or was a specific date? Was it after 1753 when Sloan died?

Getting direct access to Sloane Manuscript 2593 may have been difficult even then, and today needs a letter of introduction.

Was the rediscovery in 1836, when Thomas Wright published Songs and carols from a manuscript in the British Museum of the fifteenth century? (available online).[5]

From what I can gather from the editors of the New Oxford Book of Carols, it was the twentieth century composers that started this revival of going back to medieval text, especially those carols whose music had been lost.

Maybe the rediscovery was in the first two decades of the twentieth century. We know "Lullay, mine liking" and “Adam lay i-bowndyn” were included by Edith Rickert in her Ancient English Christmas Carols: 1400-1700 (1914). 

"Lullay, mine liking" and "I syng of a maiden” were included in Richard Runciman Terry’s Twelve Christmas Carols (1914).

Holst’s “Lullay My Liking” (sic.) was published in 1916. Peter Warlock published his version of “Benedicamus Domino” in 1918, his version of “Adam lay ybounden” (sic.) in 1922, and his “I saw a fair maiden” (“Lullay, my liking”)[6] in 1927.

"Lullay, mine liking" (Gustav Holst, Edgar Pettman, and R.R. Terry)(“I saw a maiden”)(“Myn Lyking”) and “Adam lay iboundden”(sic.)(Boris Ord) are include in the New Oxford Book of Carols (1992). 

Holst’s “Lullay My Liking” was included in the original Oxford Book of Carols (1927). “I sing of a maiden” (Martin Shaw) and “Adam lay ybounden” (Warlock) were also included in the original Oxford Book of Carols. The Oxford Book of Carols (1927) also has an entry for “Lullay, my liking” (Holst). The editors of both Oxford publications exclude “I sing of a maiden,” maybe for being too Marian of a carol. The original Oxford editors refer to it as “This famous little classic…”[7]

  



[1] https://www.bl.uk/collection-guides/sloane-manuscripts. British Library. Accessed October 9, 2022.

[2] Ibid.

[3] Ibid.

[4] I maintained the spelling of the carols as spelled either in carol collections or the spelling used by the composer when his music for the carol was published.

 

[5] Thomas Wright, Songs and carols from a manuscript in the British Museum of the fifteenth century, (London: T. Richards, 1856), 46-47, 79-80, 94-95.

[6] “Lullay, my liking” is often titled by modern composers, “I saw a maiden,” or "I saw a fair maiden” after the first verse of the carol.

[7] See notations Dreamer, Percy; Williams, Ralph Vaughn. The Oxford Book of Carols, Oxford University Press, 1928, 183.