I was almost through all my Christmas movies this holiday season and I came across this film flub in the 1994 Little Women film.
Now, first, I wanted to discuss if Little Women is a Christmas move? I would put the 1994 version, at least, as "Christmas adjacent." It is definingly more Christmasy in comparison to the 2019 version.
When viewing the film, one can see that the producers wanted to extend that Christmas feeling to viewers. The film begins around Christmas during the United States Civil War. There is/are subsequent Christmas scenes in the following years.
Even the release of the 1994 Little Women may make it a Christmas movie and grant it removal from the adjacent jail. The film was released on Christmas Day 1994. In fact, the first sentence of the book talks about Christmas!
In the first Christmas scene, the sisters, mother, and housekeeper, are at the piano singing "Ding, Dong, Merrily, On High" on Christmas Eve. However, remember, the book describes the lives of these women during the U.S. Civil War and afteryears. The text that the little women are singing would not be set to the tune until the 1920s.
Although the tune is very old, being called "le branle de l'Official" in Orchésographie, a dance book written by Jehan Tabourot (1519–1593), the text is not that old. George Ratcliffe Woodward (1848–1934) wrote the text and set it to the music of "le branle de L'Official."
The carol was first published in 1924 in his The Cambridge Carol-Book: Being Fifty-two Songs for Christmas, Easter, And Other Seasons. Charles Wood would write harmonies to the carol for its inclusion in the book.
It there a chance some version of it would have been floating around in the early 1860s. Unlikely. Woodward, born in 1848, would have been 13 years old at the start of the U.S. Civil War. Woodward did not begin his university studies until 1867. He was not ordained until 1874. "Ding Dong Merrily on High" was not included in Woodward's first carol book Hymns andCarols for Christmas-tide in 1897 Even if it was, it would be more than thirty years after the events in Little Women.
The book's first chapter implies they were singing "Twinkle, twinkle Little Star" at the piano.
Festival of Nine Lessons and Carols at King's College: Looking back at 2023 Commissioned Composer: Cheryl Frances-Hoad
In 2023, Cheryl Frances-Hoad was commission by King's College, Cambridge for the new carol for their Festival of Nine Lessons and Carols. As we have followed her career for a while now, we announced at the time that Francis-Hoad's selection was well deserved.
Cheryl Frances-Hoad was born in Essex. She received her musical education at the Yehudi Menuhin School, Gonville and Caius College Cambridge, and Kings College London.
In 2015, BBC Radio 3 chose Francis-Hoad for its ‘Composer of the Week’ (Five under 35). The composer won the BBC Lloyds Bank Composer of the Year award at the age of 15! She was also the winner of The RPS Composition Prize, The Mendelssohn Scholarship, and three Ivor Novello (formally BASCA) British Composer Awards (for Psalm 1 and Stolen Rhythm in 2010, and Scenes from the Wild in 2022).
In 2016, Frances-Hoad also was one of the first recipients of the PRS Composer's Fund Awards.
Her residencies include Leverhulme Musician in Residence (at the University of Cambridge Psychiatry Department, 2008), Rambert Composer in Residence (2012/13), Opera North/Leeds University Cultural Fellow in Opera Related Arts (2010/12), Visiting Research Fellow in the Creative Arts at Merton College Oxford (2021/2) and Visiting Fellow at Keble College Oxford (2022).
Frances-Hoad's carol was "The Cradle", first performed by The Choir of King's College, Cambridge on 24th
December 2023 as part of the Service of Nine Lessons and Carols at
King's College, Cambridge, conducted by Daniel Hyde with organist Paul
Greally and broadcast on BBC Radio and Minnesota Public Radio.
The King's College website says, "The Cradle is a setting of an English translation by Robert Graves of an anonymous seventeenth century Austrian text.
I wanted to set myself the challenge of writing a gentle carol, and
it took many attempts to come up with something that I hope is catchy
yet not clichéd, and heartfelt yet not syrupy. The vivid imagery of this
anonymous seventeenth century Austrian text in an English translation
by Robert Graves was a joy to set, and I hope my music conveys both the
intimacy and the glory of the poem.
I was absolutely delighted when Daniel Hyde asked me to write a carol for this year's Festival of Nine Lessons and Carols:
I have looked forward to finding out who wrote the new carol every year
since I was a little girl, and always dreamed that one day it would be
me!
Cheryl Frances-Hoad
King’s Director of Music, Daniel Hyde, added:
“Cheryl’s carol is a masterpiece in understatement, hauntingly
beautiful and so carefully written for the current generation of King’s
College Choir. We greatly look forward to singing The Cradle on Christmas Eve.”
Winner of the Bach Choir Carol Competition, premiered at the Royal Albert Hall during their Christmas Concert, 1995.
SATB
The Snow Woman: I. Allegro moderato (2007)
Commissioned by Natalia Lomeiko and premiered at the Orangery, Holland Park, April 2008.
"Shamanism
provides the imaginative spur for the solo violin piece The Snow Woman
(2007), which was composed as an encore piece for Natalia Lomeiko to
play after concerto performances. The inspiration here was a Siberian
folk-tale, Tynagirgin and Gitgilin, about two giants and a young shaman
in search of a wife. The giants make repeated attempts to kill the young
man, but twice he outwits them through his ability to change shape -
into a mosquito, or a hawk - and eventually he is able to summon up the
sea itself to drive them away and take the giants' wife for his own."
Premiered at Peterborough Cathedral on 16 February 2017, as part
of Even You Song by Peterborough Cathedral Choir conducted by Steven
Grahl, with David Humphreys (organ).
Gaude et Laetere (2016) SSATBB, Commissioned by the Marian Consort and premiered at the Kendal Midday Concert Club, Kendal Town Hall, 2nd November 2016.
Lordings, Listen To Our Lay (2017), SATB, Commissioned by the Musicians' Company and premiered at their
Carol Service at St Michael’s Cornhill, London on 13th December 2017 by
the Choir of St Michael’s conducted by Jonathan Rennert.
Photo above is from the King's College website by Pamela Davis Kivelson. Take down upon request.
Grayston Ives Commissioned for the 2024 Carol for the Festival of Nine Lessons and Carols at King's College, Cambridge
On December 6, 2024, King's College, Cambridge announced that it had commissioned composer Grayston Ives for the 2024 new carol to be performed at its Festival of Nine Lessons and Carols. The new carol will be performed at the festival on December 24, 2024.
Here at the Christmas Carols Blog, we've long followed Grayston Ives for many years, and his selection is well deserved.
Grayston is a composer, choral director, former member of the King's Singers, and alumnus of Cambridge University.
Ives was a chorister at Ely Cathedral before studying music at Cambridge. There he took lessons in composition from Richard Rodney Bennett. After his studies, he sang as a chorister at Guildford Cathedral and later joined the King's Singers. With the King Singers he participated in many recordings and performances.
Ives directed the choir of Magdalen College, Oxford for eighteen years. The choir was nominated for a Grammy for an album that focused on Orlando Gibbons. The choir also premiered Paul McCartney's Ecce Cor Meum.
His musical publications are many and his arrangements and composition are performed widely.
Grayston's carol is "Three Points of Light" with words by Peter Cairns. It is published by: Carus-Verlag, Stuttgart.
Here are a few of Ives' Christmas works:
"O Remember Adams Fall"
(2004)
For SATB & Organ
Words taken from the Psalms
Commissioned by Westminster Abbey for the National Service marking the 200th anniversary of the Abolition of Slavery
This album presents a unique collection of Christmas music from the library of the Sacro Convento in Assisi, previously inaccessible to researchers. Spanning 700 years, the works offer a glimpse into Assisi’s 18th-century musical culture, heavily influenced by the Neapolitan tradition. Featuring chamber music characterised by its simplicity and contemplative nature, the album showcases forgotten Christmas cantatas brought to life by conductor Werner Ehrhardt and L’Arte Del Mondo. Soprano Ruth Ziesak and trumpeter Reinhold Friedrich, known for their acclaimed performances, add their talents to this captivating rediscovery.
Lucienne Renaudin Vary Releases "Winter Gardens" on Warner Classics
French star trumpet player Lucienne Renaudin Vary releases Winter Gardens, a relaxed and laid-back winter album.
Lucienne’s idea for Winter Gardens was to recreate a cozy atmosphere, as if she invites her fans to a hygge home concert with a selection of arrangements for Trumpet and Chamber Orchestra which have been recorded with the Orchestre de Chambre de Paris, conducted by Sascha Goetzel.
Repertoire includes Christmas classics like Blane Ralph, Martin Hugh, "Have Yourself a Merry Little Christmas," Antonin Dvořák: Slavonic Dance Op. 72, and Johann Sebastian Bach: Badinerie.
All tracks arranged for Trumpet and Chamber Orchestra
Chapel Choir of the Royal Hospital Chelsea Issues "Ralph Vaugh Williams: Carols from Herefordshire"
The choral versions are recorded as a set in 2024 for the first time, coupled with the alternative settings for voice and piano, recorded in 2011.
The carols are performed with traditional words, not all of which follow the biblical canon, and they are by no means all about Christmas. As a consequence there are some unfamiliar carols and some new tunes for well-known carols.
In the first twelve tracks, William Vann directs the Chapel Choir of the Royal Hospital Chelsea at Holy Trinity Church, Sloane Square, in February 2024. Tracks 13 to 24 were recorded by bass-baritone Derek Welton, accompanied by pianist Iain Burnside at Potton Hall in 2011. Those tracks form part of a longer recital of folk-carols and folk-songs arranged by Vaughan Williams presented on ALBCD013 On Christmas Day.
Andrew Walton was the producer, and the engineers were Deborah Spanton and Mike Clements.
The conductor and pianist William Vann is recognised in particular for his acclaimed revivals of neglected works of British choral music and song and is Director of Music at the Royal Hospital Chelsea. His critically acclaimed recordings with the Chapel Choir of the Royal Hospital Chelsea have included first recordings of works by Elgar, Holst and Vaughan Williams and his studio recordings of Parry’s Judith and Prometheus Unbound have been awarded a host of accolades, including Gramophone’s ‘Recording of the Month’.
The bass-baritone Derek Welton has established himself as a respected and versatile artist both on the concert platform and the opera stage, with a repertoire ranging from Bach and Handel to the present day. He is a regular guest at the great opera houses of London, Salzburg, Vienna, Bayreuth, Berlin, Dresden, Hamburg, Paris, Amsterdam and Chicago.
Iain Burnside is one of the UK’s best-known musicians. Iain has worked with a broad roster of international singers: Dame Margaret Price, Rosa Feola, Ailish Tynan, Joyce DiDonato, Lawrence Brownlee, Roderick Williams, and Bryn Terfel, among many others. He has recorded more than 60 CDs, often created around neglected composers, where his curatorial skills are displayed to the full. He is a great champion of young singers, playing a crucial role in introducing them to a wider audience.
Mystic Orthodox Christmas Chants from Russian and Bulgarian Monasteries
Editor's note: Description below is that of the record label.
This album presents a collection of traditional Russian Orthodox Christmas hymns and carols, performed a cappella in the rich, sonorous style characteristic of Russian sacred choral music. From angelic hymns to joyful proclamations, this recording transports listeners to a realm of spiritual beauty and reverence. from Scandinavia. The selection includes a mixture of unknown songs with one or two familiar carols translated into a variety of languages.
Poor Clares of Arundel Release "Silent Night: My Peace I Give You"
Note: Description below is that of the ensemble or record company.
The Poor Clares first arrived in Arundel in 1886 at the request of Flora, Duchess of Norfolk, their benefactor. The 15th Duke, and duchess, met the sisters at Arundel Station and the party journeyed up the hill in six carriages to the new convent, where the priest and choir of St Philip’s (then the local Catholic church, now Arundel Cathedral) met them with thirty acolytes. After a short service of thanksgiving, the duchess showed the sisters around their new home and then left them to unpack.
Still in residence nearly 140 years later, the community live according to the form of life drawn up by St Clare of Assisi in 1253 – called to a life of prayer, they seek to live the Gospel in and for our world of today. They are also arguably unlikely chart-topping music sensations with their debut album released in 2020 streamed 60 million times – topping both Apple and Amazon's music charts internationally.
Four years on from their initial success, the sisters recently released a new album recorded at their chapel at Arundel and at London's iconic Abbey Road Studios. Their second album, My Peace I Give You centres on The Canticle of Creation, written by St Francis of Assisi in 1224, divided across seven songs.
Gregory Wanamaker Is the Winner of the Kantos Carol Competition 2024
On December 2, 2024, the Kantos Chamber Choir announced the winner via their social media. Gregory Wanamaker won for his "Stella Nuova" with words by Garth Bardsley.
Of his piece, Greg says: "In its original form, Stella Nuova is the final movement of Laude!, my collaboration with Garth Bardsley resulting in a group of three settings of songs devoted to the Christmas season.
According to Kantos, "from the 13th-century Laudario di Cortona. Originally for chorus and orchestra, it was premiered in New York in 2014. Garth’s words supplement the original 13th century Italian text with beautiful thoughts of hope and reflection."
"I have created this a cappella version of Stella Nuova in celebration of the 10th anniversary of its premiere," say Wanamaker.
Kantos perform "Stella Nuova" at Carols from Kantos in December 2024.
Photo and Information from Kantos' Facebook Page @kantoschamberchoir. Credit and or takedown upon request.
Ben Frampton Declared Winner of the inaugural LUUMS Chamber Choir Carol Composition Competition
On November 18, 2024, The Leeds University Union Music Society Chamber Choir announced that Ben Frampton was the winner of their inaugural Carol Composition Competition. Runners up were Christopher Hughes and Filip Jesionowski.
The choir plans to records all three carols in 2025, and perform the winning carol this season.
Frampton's carol, "Hold Me Close: A Carol in the Form of Jazz" was the winning carol. Frampton is an alumnus o f LUUMS Chamber Choir and studied Maths and Music at the University of Leeds. He is the conductor of the Otley Chamber Orchestra and was previously the assistant conductor of the Northern Opera Group UK performance of "Frida." Framton teaches high school and is involved in musical education in the West Yorkshire area.
Information from LUUMS Chamber Choir's Instagram @luumschamberchoir.
Utah Chamber Artists showcase arrangements of Barlow Bardford in "Noel" off Gothic Records
Ranging from the subtle and soaring "O Magnum Mysterium" to the joyful and engaging "Ding! Dong! Merrily on High" this album showcases the amazing arrangements of Barlow Bradford and the Utah Chamber Artists' memorable sound. "Under the baton of Barlow Bradford, all is imparted with mastery, artistry and insight."
Paul Granger wins the London Choral Sinfonia's 2nd Christmas Carol Composition Competition
Paul Granger has won the Christmas Carol Composition Competition of the London Choral Sinfonia. This is the second year of the competition and this year judges were Michael Waldron, Owain Park and Rachel Lindley.
Granger won this year's competition with his composition 'Christmas Eve', set to words by Christina Rossetti.
‘Christmas Eve’ will be performed on Saturday 21st December as part of our Christmas Fantasia concert at @sinfoniasmithsq
Contemporary Reimagining of Wilhelm Müller’s poetry cycle Winterreise
Note: Description below is the label's own.
In this contemporary reimagining of Wilhelm Müller’s poetry cycle Winterreise — most famously set by Schubert — an everyman at the end of his rope confronts his inner demons in an emotionally charged vocal tour de force.
Composer Douglas J. Cuomo is known for his concert, operatic, theatrical, television, and film compositions. His music is influenced by jazz, world music, classical and popular sources, as well as his spiritual practice as a Buddhist. Along with the operas Doubt, and Arjuna’s Dilemma, he has written for the London Philharmonic, Fort Worth Symphony, Romero Guitar Quartet, Joe Lovano, Denyce Graves, Christine Brewer, Nels Cline, Maya Beiser and others. He composed the theme for Sex & the City and scored over 20 feature films.
Charlotte Baskerville Wins the Inaugural Fitz Carol Competition
Charlotte Baskerville has won the inaugural Fitz Carol Competition. The shortlist shortlisted candidates were (left to right): Tabitha Hopper, Charlotte Baskerville, and Sophia Hurst. Baskervill won for her carol: "Of a Rose Synge We".
The competition was adjudicated by (pictured behind) - Judith Weir, Nathan James Dearden, and Peter Wagstaff.Information gathers from a post on The Fitzhardinge Consort's Facebook page: https://www.facebook.com/fitzhardinge
Portsmouth Cathedral Carol Album Featured in BBC Music Magazine
The Christmas edition of BBC Music Magazine features eighteen pieces from Advent and Christmas from Portsmouth Cathedral Choir and the Band of Her Majesty’s Royal Marines Collingwood recorded earlier this autumn with Signum Records.
George Richford wore multiple hats with this recording, and tells us more.
“First of all, I wrote some fanfares for this CD, in the capacity as a composer. But it also included the band of Collingwood which included some of my former trainees. So a different hat there. And it also featured Portsmouth Cathedral Choir with whom I sing. And fourthly, I was producing it. I do a lot of producing for various different record labels, from Signum through to Convivium Records. So I had four different hats on.
“This was an excellent opportunity to combine these various forces. But this is a particularly exciting project simply because of the reach of BBC Music magazine, which I think has got a circulation of about 75,000 – that’s pretty significant for any classical music publication.
“So hopefully everyone will be turning on Christmas Day and listening to get their CD out and be listening to Portsmouth Cathedral and the Collingwood band. I think a lot of this came off the back of the fact that the Portsmouth Cathedral did the BBC live midnight mass broadcast last year.
“BBC Music magazine approached me to do this project, which was really exciting. It’s a wide selection of music, indicative of what Portsmouth Cathedral choir can do, with a huge repertoire.
“It’s got some local flavour on it as well. That’s really important – in that way people get an idea of the place. There’s a piece called Let us light a candle, and that’s written by one of the lay clerk’s mothers, June Clark. There’s Philip Stopford’s There is no rose; Philip is a big supporter of Portsmouth and has got involved with Cathedral music from time to time. So these are pieces certainly have a certain resonance here.”
Blue Heron Releases "Christmas & New Year's in 15th-Century France & Burgundy"
Description below is the ensemble's own.
A celebration of the Christmas season, from Advent through the New Year, in music from the courts of 15th-century France and Burgundy. Music by Guillaume Du Fay, Johannes Regis, Jacob Obrecht, Josquin Desprez, Antoine Brumel, Adrian Willaert, and others.
1. O clavis David 2. Factor orbis 3. O virgo virginum 01:11 4. O virgo virginum 06:39 5. Conditor alme siderum 03:19 6. Ave Maria gratia dei plena 01:54 7. O admirabile commercium / Verbum caro factum est 07:58 8. Letabundus 05:37 9. Gloria Spiritus et alme 10. Nato canunt omnia 11. La plus belle et doulce figure 03:50 12.Dieu vous doinst bon jour et demy 02:37 13. Auxce bon youre delabonestren 01:29 14. Amours servir et honnourer 02:51 15. Dame excellent ou sont bonté, scavoir 04:27 16. Ce jour de l’an qui maint doist estrenier 03:50
HOLIDAY JOY by Essential Voices USA, under the direction of acclaimed conductor Judith Clurman, offers a moving celebration of light, peace, and joy for the holiday season.
This collection brings together three evocative works: Eight Days of Lights and Chanukah Joy and Peace, composed by Clurman and David Chase, and "The Holidays Are Here," co-written by Clurman and Wesley Whatley.
Through a blend of Jewish liturgical traditions and festive Christmas spirit, the album illuminates the universal need for light and hope in dark times.
With vivid instrumental arrangements for piano, clarinet, and cello, and stunning performances by Essential Voices USA, HOLIDAY JOY creates a sense of warmth and unity, inviting listeners to reflect on freedom, resilience, and shared celebration.
Each piece not only honors its historical and cultural origins but also breathes new life into holiday music, making this album an inspiring and joyful experience for all.
Barokk Boreal brings to light hidden and forgotten Christmas treasures by 17th-century poets from all around Norway. The album “JULETIDE” features a fascinating collection of wonderful and miraculous Christmas songs about winter, angels, stars, Christmas night, moonlight, the stable, the manger, fishing under the sun, and peace on earth.
The songwriters included on the album are Iver Brinch, Ingeborg Grytten, Samuel Bruun, Johan Brunsmand, Samuel Bugge, Oluff Lind, Peder Offvid, Petter Dass, and Dorothe Engelbretsdatter—small and great giants of their time, who saw their songs printed and shared with the world.
For each song, there’s often something like “To be sung as: A small child so joyfully.” These poets wrote lyrics to melodies they knew by heart and assumed the reader would as well. Barokk Boreal has sought and found these melodies—both in folk tradition and in written sources from the 1600s—uncovering the same melodic material from two different sources.
In true Barokk Boreal style, each Christmas song is presented as a musical tableau, weaving together the folk performance traditions with written sources from the 1600s. Both sources are rich in variations, and Barokk Boreal embraces this diversity, treating each “child” in each melody family as equally original and equally valuable. Cathrine sings from the written Baroque sources, Øyonn from folk traditions, while Vegar and Ulrik play across both traditions.
This time, the producer is early music veteran Rolf Lislevand.
“Christmas music and Christmas songs are among the most beautiful things we have. ‘Here and now’ and times gone by, woven together. Old, unknown songs, and new variations on familiar ones.”
Cathrine Jane Bothner-By shares: “Since we began Christmas concerts in 2015, new Norwegian Christmas and New Year’s songs from the 1600s have constantly come to light. We knew we’d encounter truly wonderful Christmas texts and melodies in this material. Yet it’s still like finding gold every time. Then comes the exciting task of arranging them, following the moods, finding different ways to use the four of us in Barokk Boreal, and trying to bring out the beauty and richness of it all.
We’re so glad to have completed this recording, so more people can enjoy this treasure. Here you’ll find atmosphere and storytelling, wonder, subtle humor, and a hope for peace on earth.”
1 Engelbretsdatters Julesang 02:48 2 Oluff Linds Nyttarsgave 03:09 3 Samuel Bruuns Juleode 03:38 4 Petter Dass Juleevangelie I 03:23 5 Petter Dass Juleevangelie II 05:07 6 Iver Brinchs Julevise 02:24 7 Offvids Trekongerssang 04:03 8 Brunsmands Julenattsang 03:39 9 Samuel Bugges Vinterrim 03:46 10 Ingeborg Gryttens Juledikt 03:11
"A child has been born to us" Released on Christophorus by Kammerchor der Christuskirche Karlsruhe
Johann Kuhnau (1670-1722), Bach's eternal 'predecessor' as Leipzig's Thomaskantor, has only been rediscovered in recent years and his true greatness has not yet been truly recognized.
He was highly respected by his contemporaries, however, and not just as a musician: he had a doctorate, worked as a lawyer, wrote satirical novels - a polymath... His musical oeuvre must have been extensive, much of it is lost.
It is therefore all the more pleasing that his magnificent Christmas cantata "Frohlocket, ihr Volker, und jauchzet, ihr Heiden" ['Rejoice, ye nations, and shout for joy, ye heathen'] has been preserved. It opens the programme on this CD and, with its instrumentation and duration of over 25 minutes, surpasses many a great cantata by his famous successor.
The quality of his work is also evident in his second cantata "Uns ist ein Kind geboren" ['A child has been born to us']: it was long regarded as a work by Johann Sebastian Bach!
Peter Gortner with the chamber choir of the Christuskirche Karlsruhe and the orchestra L'arpa festante complements these two Kuhnau cantatas with well-known movements by Michael Praetorius and Johannes Eccard to create a festive Christmas CD.
1. Johann Kuhnau: Frohlocket, ihr Volker, und jauchzet, ihr Heiden (Weihnachskantate) I. Chor: Frohlocket, ihr Volker, und jauchzet, ihr Heiden 2. II. Recitativo (Tenor): Halleluja, der Heiden Trost ist nunmehr da 3. III. Aria (Tenor): Kleines Kind und grober Held 4. IV. Recitativo (Alto): Wie danken wir dir doch vor diese unverdiente Gnade 5. V. Aria da Ciaconno (Alto): Willkommen, mein Leben, willkommen, mein Licht 6. VI. Chor: O Freuden Wort, mein Freund ist mein 7. Michael Praetorius: Der Morgenstern ist aufgedrungen 8. Wie schon leuchtet der Morgenstern 9. Johannes Eccard: Ubers Gebirg Maria geht (Motette) 10. Michael Praetorius: Resonet in laudibus (instrumental) 11. Johannes Eccard: Ubers Gebirg Maria geht (instrumental) 12. Johann Kuhnau: Uns ist ein Kind geboren (Weihnachtskantate) I. Sonata 13. II. Chor: Uns ist ein Kind geboren 14. III. Aria (Bass): Dein Geburtstag ist erschienen 15. IV. Chor: Ich will den Namen Gottes loben 16. V. Aria (Tenor): Jesu, dir sei Dank gesungen 17. VI. Recitativo (Alto): Immanuel, so wirst du dir gefallen lassen 18. VII. Aria (Alto): Jesu, dir sei Preis gesungen 19. VIII. Choral: Alleluja 20. Michael Praetorius: Es ist ein Ros entsprungenProper Music
Euphonist and alphornist Fabian Bloch and multi-instrumentalist Muriel Zeiter put impressively originally arranged Christmas classics here as well as the world premiere of a commissioned work by Daniel Hall on the gift table. The repertoire ranges from traditional sages to classics such as the Petersburg sleigh ride to legendary numbers from Three Nuts for Cinderella.
1 Drei Nüsse für Aschenbrödel 2 Petersburger Schlittenfahrt, Op. 57 3 Joy To The World 4 Cantique de Noel 5 God Rest Ye Merry Gentlemen 6 O Tannenbaum 7 Deck The Halls 8 No. 52: Mariä Wiegenlied 9 Good King Wenceslas 10 Ihr Kinderlein kommet 11 Jingle Bells 12 Lullaby for Jael (after Brahms' Intermezzo and Wiegenlied) 13 Der Winter 14 Apricity 15 Amazing Grace 16 Adeste fideles 17 Ave Maria, D. 839 18 Stille Nacht, heilige Nacht, H. 145
Following his album Christmas with Hope from 2020, violinist Daniel Hope wishes everyone a wonderful Christmas this year with this new version of the Christmas classic Have Yourself a Merry Little Christmas, in a version for violin and chamber orchestra.
Berlin Classics Issues Box Set of German Brass' Christmas Albums
The legendary Brass music Ensemble German Brass is turning 50 this year. Their legendary Christmas albums are now available in one box. Get into the Christmas spirit and enjoy the splendor of the festivities with these wonderful recordings.